Interstellar Movie Review

Interstellar Movie Review:

Release Date: Nov 5, 2014

• 
  
• Starring: Anne Hathaway, Bill Irwin, Ellen Burstyn, Jessica 

• Chastain, Mackenzie Foy, Matthew McConaughey, Michael 

• Caine

Interstellar is a sublime science fiction spectacle focused on the 
themes of humanity and survival. The cast is led by a standout 
performance Matthew McConaughey as Cooper, an engineer-
turned-ex-pilot-turned-farmer-turned-astronaut, that deals with the 
struggles of leaving his family to save humanity. A surprising 
amount of emotion in this film as the characters deal with 
humanity, 
survival and loss.The film was a bit disappointing with some occasional choppy, 
unnatural dialogue and underdeveloped characters, but the biggest 
concern was that of subpar sound mixing. A number of scenes had 
dialogue that was overpowered by effects and the music making it 
hard to understand what the characters were saying. Due to this it 
would be a travesty for this film to win the Oscar for Best Sound Mixing.

Interstellar is a thought-provoking, intellectually-stimulating story 
that uses a meticulous eye for scientific detail to depict worlds and 
concepts we have only dreamt of. Christopher Nolan creates a 
visual masterpiece reminiscent of 2001: A Space Odyssey with its 
absolutely breathtaking cinematography mixed to an eerily quiet 

soundtrack to encompass the vast beauty of space. Although it has 
underdeveloped characters and somewhat subpar sound mixing, 
the overall film is an entertaining thrill ride into the deep, unknown 
parts of space. This is definitely a film to see in theatres to fully 
immerse yourself in the Nolan experience. Not the space movie we 
deserved, but the space movie we needed. Nothing less than an 
Interstellar night. 


The commander of an underground NASA outpost, Professor Brand (Michael Caine), sends a favored pilot, Cooper (Matthew McConaughey), on a mission: Cooper and his crew, including Brand’s daughter, Amelia (Anne Hathaway), are to retrace the flights of three astronauts who a decade earlier were sent to planets thought to be capable of sustaining human life. Are the explorers alive? What did they find? Can the earth’s billions be moved through the wormhole? As the crew members enter the distant passage, with its altered space-time continuum, they testily debate one another, referring, in passing, to theories advanced by Albert Einstein, Stephen Hawking, and Kip Thorne. (Thorne, a theoretical physicist and a longtime friend of Hawking’s, served as an adviser and an executive producer on the film.) Black holes, relativity, singularity, the fifth dimension! The talk is grand. There’s a problem, however. Delivered in rushed colloquial style, much of this fabulous arcana, central to the plot, is hard to understand, and some of it is hard to hear. The composer Hans Zimmer produces monstrous swells of organ music that occasionally smother the words like lava. The actors seem overmatched by the production. 


Nolan, who made the recent trilogy of night-city Batman movies, must love the dark. In “Interstellar,” he and the designer, Nathan Crowley, and the cinematographer, Hoyte van Hoytema, send Cooper’s ship, the Endurance, hurtling through the star-dotted atmosphere, or whirling past seething and shimmering clouds of intergalactic stuff. The basic color scheme of the space-travel segments is white and silver-gray on black, and much of it is stirringly beautiful. There’s no doubting Nolan’s craft. Throughout “Interstellar,” the camera remains active, pursuing a truck across a cornfield or barrelling through sections of the Endurance. All this buffeting—in particular, the crew’s rough-ride stress—is exciting from moment to moment, but, over all, “Interstellar,” a spectacular, redundant puzzle, a hundred and sixty-seven minutes long, makes you feel virtuous for having sat through it rather than happy that you saw it. The Nolans provide a pair of querulous robots, the more amusing of which is voiced by Bill Irwin, but George Lucas’s boffo jokiness and Stanley Kubrick’s impish metaphysical wit live in a galaxy far, far away.

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